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Тeaтр фарса по-русски: “Продолжательница” Сарду Н.А. Лухмановастатья
Статья опубликована в высокорейтинговом журнале
Статья опубликована в журнале из списка Web of Science и/или Scopus- Автор: Левицкая Татьяна Владимировна
- Журнал: Russian Literature
- Номер: Volumes 135–137, January–April 2023
- Год издания: 2023
- Издательство: Elsevier BV
- Местоположение издательства: Netherlands
- Первая страница: 19
- Последняя страница: 40
- DOI: 10.1016/j.ruslit.2022.09.003
- Аннотация: Nadezhda Lukhmanova (1841-1907) was an important figure in the history of Russian farce theatre. She gained notoriety as a translator with the audience-winning comedy A Hero of the First Empire (1894, based on the play by Victorien Sardou and Émile Moreau Madame Sans-Gêne, 1893). Lukhmanova made a lot of changes to the play: it was not a translation but a retelling of the story, quite far from the original version. Her free translation and her creation of a sequel to the Madame Sans-Gêne story (the play Napoleon I, 1895) raised a wave of negative critical reviews. Critics regarded Lukhmanova as a “predatory translator” who spoiled original works and stole good ideas. Later she translated a large number of farces that were successful with audiences, and wrote several original plays. However, her work as a translator of farcical plays influenced public perceptions of her fiction and journalism. Readers and critics questioned why a writer and publicist, known for moralizing lectures and articles, should translate farces? The truth is that work in the farcical genre helped Lukhmanova to rethink the story of her personal life, demonstrating the absurdity of marriage conventions – and to play this out in front of an audience.
- Добавил в систему: Левицкая Татьяна Владимировна